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NEW QUESTION: 1
Alexander Calder was one of the most innovative and original American artists of the twentieth century.
Calder arrived in Paris in 1926 and devoted himself to a innovative project comprised of animals made out of wire, scraps of cloth, wood, cork, labels, bits of scrap metal and pieces of rubber that he called the Circus. During his performances, Calder invented ways to simulate the flight of birds: "These are little bits of white paper, with a hole and slight weight on each one, which flutter down several variously coiled thin steel wires which I jiggle so that they flutter down like doves." The Circus was the laboratory of Calder's work; in it he experimented with new formulas and techniques. By 1930, Calder's Circus had developed into one of the real successes of the Montparnasse art world attracting the attention of such renowned artists as Fernand Leger and Joan Miro. Encouragement from the upper echelons of the Parisian art scene undoubtedly led him to try more serious experiments in wire sculptures. Calder eventually becoming interested in the movement of objects, some of which he motorized. In 1933, Calder completed Object with Red Discs, a sculpture he described as a two-meter rod with a heavy sphere, suspended from the apex of a wire, giving it a cantilever effect. It had five thin aluminum discs projected at right angels from five wires, held in position by a spherical counterweight. With this new creation, the idea of the mobile was born. In creating a work named Constellations in 1943, Calder explored the plastic possibilities of mobiles; he used small pieces of wood, which he shaped and sometimes painted. From this point on, Calder's ambition changed focus. He sought more challenging designs. One of Calder's objectives was to display objects in the air, giving the viewer the experience of finding new skies filled with moving and colored constellations.
Calder accomplished this in Acoustic Ceiling (1954). Calder's humor was evident in such works as Le Bougnat (1959) and The Pagoda (1963). Later, Calder cut fantastic animals from sheet metal, creating La Vache and Elephant (both 1970) and a mobile entitled Nervous Wreck (1976), which represents the red skeleton of a fish. Calder defined volume without mass and incorporated movement and time in art. His inventions, which redefined certain basic principles of sculpture, have established him as the most innovative sculptor of the twentieth century.
It can be inferred from the passage that which of the following statement was true of the Parisian art scene?
A. Calder's Circus earned more accolades from the upper echelons of the Parisian art scene than any other work in its time.
B. The work of Alexander Calder was influenced by that of Fernand Leger and Joan Miro.
C. The work of Fernand Leger and Joan Miro was influenced by that of Alexander Calder.
D. Fernand Leger and Joan Miro had earned success in the art world before Alexander Calder.
E. Alexander Calder had earned success in the art world before Fernand Leger and Joan Miro.
Answer: D
Explanation:
Explanation/Reference:
Explanation:
The best answer is C.
According to the passage, Calder's early work attracting the attention of such renowned artists as Fernand Leger and Joan Miro. It can be inferred that Leger and Miro were already famous when Calder was just starting out

NEW QUESTION: 2
DynamoDB에서 "데이터는 결국 일관성이 있습니다"는 것을 의미합니다.
A. 읽기 작업 직후 쓰기 요청으로 인해 데이터가 손실 될 수 있습니다.
B. 쓰기 작업 직후 읽기 요청으로 인해 데이터가 손실 될 수 있습니다.
C. 쓰기 작업 후 즉시 읽기 요청은 최신 변경 사항을 표시하지 않을 수 있습니다.
D. 쓰기 작업 후 즉시 읽기 요청은 최신 변경 사항을 보여줍니다.
Answer: C
Explanation:
설명
DynamoDB에서 업데이트가 모든 복사본에 전파되는 데는 시간이 걸립니다. 결국 데이터는 일관성이 있습니다. 즉, 쓰기 조작 직후의 읽기 요청은 최신 변경 사항을 표시하지 않을 수 있습니다.
http://docs.aws.amazon.com/amazondynamodb/latest/developerguide/APISummary.html

NEW QUESTION: 3

A. Add-AppxProvisionedPackage
B. Install-PackageProvider
C. Add-WindowsPackage
D. Set-PackageSource
E. Save-NanoServerPackage
Answer: B,E