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NEW QUESTION: 1
Mathew ascended three flights of stairs - passed half-way down a long arched gallery - and knocked at
another old-fashioned oak door. This time the signal was answered. A low, clear, sweet voice, inside the
room, inquired who was waiting without? In a few hasty words Mathew told his errand. Before he had done
speaking the door was quietly and quickly opened, and Sarah Leeson confronted him on the threshold,
with her candle in her hand.
Not tall, not handsome, not in her first youth - shy and irresolute in manner - simple in dress to the
utmost limits of plainness - the lady's-maid, in spite of all these disadvantages, was a woman whom it
was impossible to look at without a feeling of curiosity, if not of interest. Few men, at first sight of her, could
have resisted the desire to find out who she was; few would have been satisfied with receiving for answer,
She is Mrs. Treverton's maid; few would have refrained from the attempt to extract some secret information
for themselves from her face and manner; and none, not even the most patient and practiced of observers,
could have succeeded in discovering more than that she must have passed through the ordeal of some
great suffering at some former period of her life. Much in her manner, and more in her face, said plainly
and sadly: I am the wreck of something that you might once have liked to see; a wreck that can never be
repaired - that must drift on through life unnoticed, unguided, unpitied - drift till the fatal shore is
touched, and the waves of Time have swallowed up these broken relics of me forever.
This was the story that was told in Sarah Leeson's face - this, and no more. No two men interpreting that
story for themselves, would probably have agreed on the nature of the suffering which this woman had
undergone. It was hard to say, at the outset, whether the past pain that had set its ineffaceable mark on
her had been pain of the body or pain of the mind. But whatever the nature of the affliction she had
suffered, the traces it had left were deeply and strikingly visible in every part of her face.
Her cheeks had lost their roundness and their natural color; her lips, singularly flexible in movement and
delicate in form, had faded to an unhealthy paleness; her eyes, large and black and overshadowed by
unusually thick lashes, had contracted an anxious startled look, which never left them and which piteously
expressed the painful acuteness of her sensibility, the inherent timidity of her disposition. So far, the marks
which sorrow or sickness had set on her were the marks common to most victims of mental or physical
suffering. The one extraordinary personal deterioration which she had undergone consisted in the
unnatural change that had passed over the color of her hair.
It was as thick and soft, it grew as gracefully, as the hair of a young girl; but it was as gray as the hair of an
old woman. It seemed to contradict, in the most startling manner, every personal assertion of youth that
still existed in her face. With all its haggardness and paleness, no one could have looked at it and
supposed for a moment that it was the face of an elderly woman. Wan as they might be, there was not a
wrinkle in her cheeks. Her eyes, viewed apart from their prevailing expression of uneasiness and timidity,
still preserved that bright, clear moisture which is never seen in the eyes of the old. The skin about her
temples was as delicately smooth as the skin of a child. These and other physical signs which never
mislead, showed that she was still, as to years, in the very prime of her life.
Sickly and sorrow-stricken as she was, she looked, from the eyes downward, a woman who had barely
reached thirty years of age. From the eyes upward, the effect of her abundant gray hair, seen in
connection with her face, was not simply incongruous-it was absolutely startling; so startling as to make it
no paradox to say that she would have looked most natural, most like herself if her hair had been dyed. In
her case, Art would have seemed to be the truth, because Nature looked like falsehood.
What shock had stricken her hair, in the very maturity of its luxuriance, with the hue of an unnatural old
age? Was it a serious illness, or a dreadful grief that had turned her gray in the prime of her womanhood?
That question had often been agitated among her fellow-servants, who were all struck by the peculiarities
of her personal appearance, and rendered a little suspicious of her, as well, by an inveterate habit that she
had of talking to herself. Inquire as they might, however, their curiosity was always baffled. Nothing more
could be discovered than that Sarah Leeson was, in the common phrase, touchy on the subject of her gray
hair and her habit of talking to herself, and that Sarah Leeson's mistress had long since forbidden
everyone, from her husband downward, to ruffle her maid's tranquility by inquisitive questions.
What can the reader infer about the setting from the limited information in paragraph one?
A. The house is located in a city.
B. It is a rather small house with ornate architecture.
C. The house is in the country.
D. It is a large house with up-to-date modifications.
E. It is a large, old house.
Answer: E
Explanation:
Explanation/Reference:
Explanation:
The house is large as Mathew had to ascend three flights of stairs and pass down a long arched gallery. It
is also old as he knocked on another old-fashioned oak door and was met with someone lighting the way
with a candle.

NEW QUESTION: 2
Refer to the exhibit.

A Python script must be created to deactivate vSmart Policy Cisco SD-WAN vManage Configuration APIs.
The documentation states the URL is as shown in the exhibit for this REST call using POST, and that
"policyId" is a required request parameter. Which line of Python code makes this call, assuming the variable
"s" is a valid Requests session object and the variable "policy-id" is the policyId?
A. s.port('https://vmanage:8443/dataservice/template/policy/vsmart/activate?policyId=%s' % policy_id)
B. s.port('https://vmanage:8443/dataservice/template/policy/vsmart/activate&policyId=%s' % policy_id)
C. s.port('https://vmanage:8443/dataservice/template/policy/vsmart/activate/', data = {'policyId':
policy_id})
D. s.port('https://vmanage:8443/dataservice/template/policy/vsmart/activate/%s' % policy_id)
Answer: A

NEW QUESTION: 3
In the Proof of Stake(POS) algorithm the miners are really known as ___________?
A. Oracle
B. Notary
C. Forgers
D. Minters
Answer: C
Explanation:
Explanation/Reference:
Explanation:
Proof of Stake has the same goal as proof of work-to validate transactions and achieve consensus in the chain-and it uses an algorithm but with a different process. With proof of stake, the creator of a new block
"is chosen in a deterministic way, depending on its wealth, also defined as a stake." Since in a proof of stake system, there is no block reward, but the miners, known as forgers, get the transaction fees.
Proponents of this shift, including Ethereum co-founder Buterin, like proof of stake for the energy and cost savings realized to get to a distributed form of consensus.
Reference: http://www.hl.co.uk/news/2018/2/16/a-brief-history-of-blockchain-technology-everyone-should- read

NEW QUESTION: 4
Ein Business Analyst erstellt ein Dokument mit Verkaufsdaten für verschiedene Regionen, Produkte und Verkäufer. Der Analyst muss ein Objekt erstellen, das den Prozentsatz des Gesamtumsatzes anzeigt, wenn ein oder mehrere Werte ausgewählt werden.
Mit welchen beiden Objekten kann der Analyst diese Anforderungen erfüllen? (Wählen Sie zwei aus.)
A. Eichendiagramm
B. Tabellenfeld
C. Statistikfeld
D. Textfeld
E. Mekko-Diagramm
Answer: B,D